“A delight and a regional treasure!”– Classical Voice of NC
1999 Flutist Kate Steinbeck visualized bringing friends together for a couple of weeks each summer to play exquisite chamber works in remarkable settings of the Carolinas.
2000 Steinbeck invited cellist Elizabeth Austin and violist Andrew Levin to form an ensemble after playing a wedding together at Lake Keowee.
2001 As Bartram’s Trio, Steinbeck, Austin and Levin presented 4 concerts — two each in North and South Carolina — and inaugurated a music festival. They named the burgeoning festival Keowee to honor the original inhabitants of this Carolina region. Keowee or Kuwâhiyi, the correct form in Tsalagi, the Cherokee language, was one of the largest and most important settlements of the Cherokee nation and the main village of the lower Cherokee. In the 1960’s this land was flooded to create Lake Keowee; the settlement site now lies under water.
2002 The festival expanded to two different programs over two weeks – 6 concerts in all – and pianist Dewitt Tipton joined the roster. A Sunday afternoon concert was established in Pretty Place Chapel near Cedar Mountain, NC, offering an inspiring chamber music experience in an incredibly beautiful natural setting.
2003 Kate Steinbeck and Elizabeth Austin began co-directing the festival and presented the first guest artists, members of The Countryside Trio of Virginia.
2004 The ensemble presented its first children’s concert, KEOWEE for KIDS!
Keowee Chamber Music Festival was granted 501(c)3 nonprofit status on Dec 8.
2005 Festival presented critically acclaimed performances and the NC/SC premiere of Andrea Clearfield’s Three Songs after Poems by Pablo Neruda with guest artist Fred Bretschger, bassist of the St. Paul Chamber Orchestra.
2006 The company was invited to be ensemble-in-residence at the Reuter Center, NC Center for Creative Retirement, where it presented its first public open rehearsal, a free event to welcome the public into the realm of chamber music. Festival programming included Acoustic Dessert, a late evening gallery concert pairing the visual arts with live performance.
KCM was awarded funding from the Susanne Marcus Collins Foundation and the SC Arts Commission to support children’s programming and community outreach efforts. The season was extended with concerts in the fall: A Slice of Music and Art at the Wedge Gallery in Asheville and Recollections in the Cathedral of All Souls, Biltmore Village, Asheville.
In November, KCM created its first residency at Evergreen Community Charter School, sponsored by the Asheville Chamber Music Series. Musicians presented workshops, which culminated in performances of music of South America with 43 sixth-graders playing alongside the artists.
2007 KCM and Mallarmé Chamber Players commissioned Paul Schoenfield to compose Three Bagatelles for flute, cello and piano and gave world premiere during KCM Festival 2007.
KCM created a residency for 2nd-graders at Bell Elementary, sponsored by the Lake Eden Arts Festival in Schools & Streets (LEAF SS). The children performed with the musicians at the LEAF.
In September and October, KCM created a residency for underserved youth, seniors and homeless adults in downtown Asheville. This three-week project was supported by a Grassroots grant from the Asheville Area Area Council. Keowee musicians also created a six-week residency at Evergreen Community Charter School, sponsored by the Asheville Chamber Music Series. The company began receiving grant support from the North Carolina Arts Council, Arts and Audience and New Realities.
2008-2010 KCM was one of nine companies—and the first chamber music group–invited to join NC Arts Council’s prestigious cARTwheels program. Keowee musicians together with Cuerteto La Catrina and Charlotte Salsa created a fantastic touring program, Fandango, Tango, Huapango, and brought Latin music, dance and art to more than 10,000 school children statewide!
2008 In May, the company created a residency for kindergarteners and first-graders at Bell Elementary, sponsored by LEAF SS.
In November, Kate Steinbeck created ELEGY, a Holocaust remembrance series in Asheville, to honor the power of the human spirit to triumph over adversity through music.
2009 Kate Steinbeck became artistic director after Liz Austin moved to New Mexico. Keowee Chamber Music celebrated its 9th annual festival.
2010 Keowee Chamber Music presented its 10th festival…. June 13, 2010 was proclaimed “Keowee Chamber Music Day” by the city of Asheville!…GrooveNGuitars is launched in Rutherford County through an NC Arts Council Arts-in Education grant, Outreach for At-Risk Youth….Keowee Chamber Music was awarded a grant for Artistic Excellence from the National Endowment from the Arts in November.
2011 Keowee Chamber Music began producing under a new name, Pan Harmonia.
In June, Pan Harmonia produced its 11th and final summer festival (Read 11 Festival Archive) and a week-long workshop for adult amateur musicians, Asheville Chamber Music Retreat was created.
2012 Pan Harmonia launches 2nd Sunday @ 5, monthly series in collaboration with the Altamont Theatre in downtown Asheville and Shining Light Project, bringing free programs of live music to underserved people in our community including those in nursing homes, homeless shelters, prisons and other such facilities.
2013 Pan Harmonia produced 48 concerts in its 13th season including Aaron Copland’s masterpiece Appalachian Spring in its original setting for 13 players for its May Season Finale concerts….On November 10, Pan Harmonia produced its 19th and final concert of 2nd Sunday @ 5 the Altamont Theatre in downtown Asheville.
In fall 2013, Pan Harmonia launches a new series in The Haen Gallery in both Asheville and Brevard.
2013-2014 Season highlights include Stravinsky’s Octet for Winds, partially underwritten by a grant from the NC Arts Council, concerts in Asheville and the the Porter Center in Brevard; JS Bach’s Brandenburg Concerto, No. 5 and Mozart’s Quintet for Clarinet and Strings at Asheville Masonic Temple and White Horse Black Mountain. Pan Harmonia produced more than 30 concerts during its 14th season.
2014-2015 Season 15 highlights include a collaboration with our sister company, Mallarmé Chamber Players with concerts in both Chapel Hill and Durham….The Mary Duke Biddle Foundation awarded Pan Harmonia a grant to create a woodwind quintet mentoring program at AC Reynolds HIgh School. Thirteen young musicians received coaching from Pan Harmonia musicians throughout the school year and performed a GeneratioNext concert at St Matthias in Asheville….Carol Kessler presented her riveting Chautauqua performance, Emily Dickinson Unplugged, as a benefit for Pan Harmonia.
Our 3th annual Chamber Music Messiah raised more than $3000 for Homeward Bound of WNC!…Pan Harmonia presented four Sonata Series programs, eight concerts in all, of masterworks from the chamber music repertoire for flute, viola, bassoon, cello, harp and piano. This project was supported by the NC Arts Council. The season finale was JS Bach’s Brandenburg Concerto, No. 4 and more at Asheville Masonic Temple. Pan Harmonia produced more than 30 concerts during its 15th season.
2015-2016 Our Sweet 16 season included new offerings: Chamber Music Chats at OLLI www.olliasheville.com. and ABCs www.ashevillebaroque.org as well as a brand new website! Chamber Music Chats offer an opportunity to connect with Pan Harmonia musicians in an informal setting and to learn about our process, inspiration and more. We were excited about sublime music from our sister company, Asheville Baroque Concert Series directed viola de gambist Gail Ann Schroeder. We produced AMERICAN MOSAIC, 3 fall programs partially funded by the NC Arts Council, which featured music of Eric Ewazen, Gene Koshinski, Katherine Hoover, Dana Wilson, William Grant Still, Daniel Godfrey, Amy Beach, Leonard Bernstein, Gary Shocker, George Gershwin and Stephen Foster. In December, Pan Harmonia produced its 5th annual Chamber Music Messiah for Homeward Bound of WNC!
In early 2017 artistic director Kate Steinbeck went on sabbatical, taking time off to refresh and reflect. She traveled to New Mexico and California, gave a few lectures, connected with composers to discover new works and took time out of the loop. READ MORE HERE Kate spent March-May in a language immersion program in Madrid and traveling with her daughter. During the Spring, Pan Harmonia produced La Bombarde!, an exploration the bombarde and Breton music with Rosalind Buda and Barbara Weiss, as well as a Three Guitars, Jazz is Chamber Music and Baroque Vibes.
2016-2017 We were pleased to open our 17th season in the beautiful Haen Gallery. Season 17 marks our 4th year of collaborating with The Haen Gallery and the juxtaposition of art and music (and wine!) is one of our favorite creative endeavors. A 17th season highlight included regional concerts by flutist Kate Steinbeck and harpist Jacquelyn Bartlett in October. Our November and December concerts drew capacity crowds. ALTERNATE CURRENTS premiered spectacular music by local composers, Dosia McKay and Michael Hosford, as well as historic works by Amy Beach, Alberto Ginastera and Ernest Bloch. This program was made possible by Project Support grant from the NC Arts Council. In December, our benefit concert focused on our four-footed brothers and sisters at Animal Haven, an oasis nestled in an East Asheville cove, whose dedicated staff rescues not only cats and dogs, but also farm animals including goats, pigs, geese, chickens and others.
Our own March Madness included a WALK WITH WOLFGANG, a progressive chamber music concert throughout downtown Asheville. In collaboration with the Asheville Symphony’s Amadeus Festival, Pan Harmonia hosted a unique musical walking tour with ensembles at 3 different venues: The Haen Gallery, Asheville Museum of Science and Blue Dream Curry House. It was a smash hit, selling out a week in advance!
Our final Haen Gallery concert of Season 17 sold out as well. We are so grateful for this enthusiastic support!
Musicians Roster 2000-2017
Flute Kate Steinbeck • Dilshad Billimoria Posnock • Elizabeth Baptista-Gaston • Bradford Malbon
Oboe/English Horn Brian Seaton • Alicia Chapman • Cara Jenkins
Clarinet Fred Lemmons • Brian Hermanson
Bassoon Rosalind Buda • Eric Dircksen • Susan Cohen • Will Peebles
Saxophone Alan Theisen
Bombard/Scottish small pipes Rosalind Buda
Horn Jennifer Merrell • Tracy Golaszewski • Michael Brubaker
Trumpet Dick Kowal • Brad Ulrich • David Ginn • John Bryant • Larry Black • Casey Copenbarger
Trombone Greg Love • Mark Britt
Tuba William Bryant
Violin Karen Pommerich • Mariya Potapova • Ginger Kowal • Amy Lovinger • Margaret Humphrey • Dovid Friedlander • Daniel Vega-Albela • Blake Espy • Dan Skidmore • Jamie Laval • Andrea Pettigrew • Corine Brouwer • Linda Plaut • Leslie Warlick • Julien Pinelli • Kristy Kim
Viola Kara Poorbaugh • John Ravnan • Jan Daughtery • Jorge Martínez • Simon Értz • Andrew Levin • Lisa Zweben
Cello Franklin Keel • Rebecca Humphrey • Katie Hamilton • Alan Daowz • Elizabeth Austin • Phillip von Maltzahn • Mary Beth Hussey • Elizabeth Gergel • Maria Parrini • Jennifer Alexandra Johnston • Tim Holley
Viola de gamba Gail Ann Schroeder • Rebecca Humphrey
Bass Matthew Waid • Ian Bracchitta • Fred Bretschger • Mike Holstein
Guitar Amy Brucksch • Andy Jurik • Steve Newbrough • David Stephenson
Harp Jacquelyn Bartlett
Harpsichord Barbara Weiss
Piano Tate Addis • Ivan Seng • Fabio Parrini • Maria Parrini • Hwa-Jin Kim • Kimberly Cann • Vance Reese • Kyle Ritter • Dewitt Tipton • Judy Bevans • Karen Sams • Daniel Weiser
Organ Eric Wall • Barbara Weiss
Percussion Byron Hedgepeth • River Guerguerian • Justin Watt
Voice Rachel Hansbury, soprano • Tena Greene, soprano • Bradley Howard, tenor • And Tito Amaya • Mara Simmons • Nancy Sokolove, readers • Elizabeth Spragins, speaker • Rick Chess, poet