Pan Harmonia creator and flutist Kate Steinbeck is recognized across the US and abroad as a unique interpreter, passionate teacher, innovative music producer and arts entrepreneur. Growing up in Western North Carolina, Kate started playing flute in a public school music program. Her love of music, languages, travel and spirit of discovery led her on wonderful adventures far from her childhood home but ultimately brought her back to Asheville when she met flutemaker Chris Abell. Since returning to NC in 1997, Kate has been busy raising their two children, teaching flute and creating Pan Harmonia.
Kate earned a BM from Baldwin-Wallace College, studying with William Hebert (Cleveland Orchestra), followed by a Fulbright scholar to study chamber music in Belgium. She later spent several years performing and teaching in Germany before returning to the US to pursue a MM at the San Francisco Conservatory as a student of Tim Day (SF Symphony). As a freelance artist in California, Kate was widely recognized for her work in contemporary music and was featured on many of the Bay Area’s most prestigious stages. She has participated in the Festival at Sandpoint, the New Mexico Music Festival at Taos and the Tanglewood Institute. Her other teachers and coaches include Clifford Benson, Stephen Preston, Patti Adams, Gunther Schuller and Charles Russo.
Kate has produced two critically acclaimed CDs: Light in the Corner (2004) with percussionist Byron Hedgepeth and Luminescence (2010) with guitarist Amy Brucksch and recorded on projects ranging from hip hop to ambient. Kate plays on a modern wooden flute manufactured by her husband, Chris Abell, of the Abell Flute Co.
A passionate teacher and coach, Kate has lectured and presented master classes in Los Angeles, Boston, Durham, NC, Greenville, SC as well as in Spain and Belgium. She loves teaching and revels in guiding students of all ages to discover the joy of making music and to achieve new levels of accomplishment and self-awareness. Kate teaches locally at The Academy for the Arts and in her home studio. She also loves learning languages. Kate speaks French and German and is now pursuing Spanish. www.katesteinbeck.com
Bassoonist Rosalind Buda is an active chamber musician, orchestral musician, and teacher. She has served as principal bassoonist and Project Manager for Pan Harmonia since 2011. Rosalind performs throughout North Carolina, South Carolina, and Tennessee, playing with the Asheville Symphony, Spartanburg Philharmonic, Johnson City Symphony, Brevard Philharmonic, Hendersonville Symphony, and Greenville Symphony. A graduate of the New England Conservatory in Boston, Rosalind earned her Master’s Degree while studying with Boston Symphony Orchestra Principal, Richard Svoboda. She received her Bachelor’s Degree from the University of Iowa, her home state, where she studied with Benjamin Coelho.
Rosalind is adjunct instructor of bassoon at Mars Hill University, Brevard College, Gardner-Webb University, and has been a guest teacher at Eastern Tennessee State University. Rosalind loves to work with young students, and operates her own private teaching studio in Asheville. She teaches at Mars Hill University’s summer music camp every summer and leads students in masterclasses, reed making, and chamber ensembles.
Outside of classical bassoon, Rosalind pursues her interest in traditional and modern Scottish/Celtic/world music. She plays traditional reed instruments including great highland bagpipes, Scottish smallpipes and Breton bombard. rosalindbuda.com
Mariya Potapova, a native of St. Petersburg, Russia, grew up in a family of musicians and began studying violin at age 8. She moved to the United States in 1999 and began studying with world-renown professor Vadim Voyler. During her studies with Voyler, Mariya won two first place awards in instrumental competitions. In 2006, while studying at UNCA, she had won first place in Blue Ridge Concerto Competition and performed with Blue Ridge Civic Orchestra.
Currently Mariya holds two BA degrees from UNCA in Psychology and Music. She is a member of the Asheville and Greenville Symphonies, as well as Asheville’s Temple Trio. Mariya teaches privately in her home studio and is a faculty member of the Asheville Music School.
Kara Poorbaugh performs extensively across our region as an orchestral and chamber musician. Kara serves as Principal Violist of the Asheville Symphony and performs regularly with the Greenville Symphony (SC). She is a founding member and violist of the Opal String Quartet, which has been featured on several regional chamber music series, and serves as Artists-in- Residence for the educational outreach programs of the Asheville Chamber Music Series and Asheville Symphony Guild.
Kara is a graduate of the Eastman School of Music, and attended summer festivals at Interlochen, Musicorda, Eastern Music Festival, and Brevard Music Center. In addition to her extensive performance schedule, Kara teaches a busy private studio of violin, viola, and chamber music students at home, and is mother to a beautiful baby girl, Elsie Jane.
Franklin Keel discovered the cello at the age of 6 and later earned scholarships to the Eastman School of Music, and the Brevard Music Center, where he was a finalist Beattie Wood Concerto Competition. He is currently Associate Principal Cello in the Asheville Symphony Orchestra and performs and records with many regionally acclaimed projects such as the Opal String Quartet, the Lovestruck Suckers, Sirius.B, Secret Agent 23 Skidoo, the Jonathan Scales Fourchestra, Ben Lovette, Matt Townsend, the Secret B-Sides and Free Planet Radio. He has appeared as a soloist with the Asheville and Hendersonville Symphonies, the Brevard Philharmonic and Blue Ridge Orchestras. A gifted collaborator, Franklin has shared the stage with many different artists including Emmanuel Ax, Ben Sollee, Stephanie’s Id, the Get Right Band, Pierce Edens, Liberated State, the Jon Stickley Trio, and Yo Mama’s Big Fat Booty Band.
A passionate educator, Franklin has taught at Hendersonville Middle and High Schools, and served as interim conductor for the Asheville-Buncombe Youth Orchestra. He now works with young orchestras, teaches cello, and coaches chamber music all over the WNC region through organizations such as the Hendersonville Community Music School and the Transylvania Youth Strings.
Classical guitarist Amy Brucksch performs throughout the Southeast, celebrating the rich heritage of the classical guitar, and exploring musical connections with world-renowned musicians as diverse as Celtic fiddlers, Baroque harpsichordists and African percussionists. She created a highly regarded CD, Luminescence, with flutist Kate Steinbeck. Amy has performed locally on concert series presented by Belmont Abbey, Greenville Symphony, Brevard College, Wofford College and Anderson University.
Passionate about sharing her love for the instrument, she currently teaches classical guitar to over 70 middle and high school students at Thomas Jefferson Classical Academy in Rutherford County and has a private studio at Wild Roots Fine Arts Center in Forest City.
Formerly on the faculty of the University of Toledo (OH) and Adrian College (MI), she was an Ohio Arts Council Touring Artist. She has a BM from the University of Cincinnati College-Conservatory of Music where she studied with Clare Callahan, and also a MM in music education from Bowling Green State University. Amy lives in Tryon and plays a guitar custom made for her by California luthier, Gregory Byers.
A versatile and engaging musician, Barbara Weiss’ diverse musical experiences range from recording and performing ancient classical Cambodian music to directing a baroque opera company to chairing a university’s early music program. She has been on the faculty of both the Oberlin Conservatory and the Peabody Institute, as well as Concordia College and the Universities of Minnesota and Pennsylvania. Barbara teaches at summer workshops such as the Oberlin Baroque Performance Institute, the Madison Early Music Festival, and Indiana University’s Recorder Academy, and most recently, the Mountain Collegium Early Music Workshop.
Barbara has performed at the Boston, San Antonio and Berkeley Early Music Festivals, and the Winnipeg Folk Festival. Her collaborations include The Hendersonville Symphony, Belladonna, the Newberry Consort, Quicksilver, Chatham Baroque, the Smithsonian Chamber Players, the King’s Noyse, Apollo’s Fire, the Chicago Opera Theater, CPCC Opera Theater, and Piffaro. She has recorded with the Dorian, Flying Fish and Harmonia Mundi labels.
She lives in Asheville, where she is a member of Muses Delight, Pan Harmonia, and directs Next Road Over, the area’s first melodica orchestra.
Acclaimed for ‘exquisite beauty’ and ‘crystalline clarity,’ pianist / organist Tate Addis began music study at age 3 and has performed throughout the US and Europe as a soloist and chamber musician. The Kansas City Star wrote “this young organist has the right stuff.” Recent recitals include in New York at the Cathedral of St. John the Divine, St. Thomas Church, Brick Presbyterian Church; in Philadelphia at St. Paul’s and Chestnut Hill; and as part of the prestigious Rie Bloomfield Organ Series at Wichita State. He has collaborated with violinists Daniel Hope and Benny Kim, cellist Yo-Yo Ma, and tenor Vinson Cole. Active as a church musician from an early age, Tate has held positions at Brick Presbyterian Church in New York City and Second Presbyterian Church in Kansas City, Missouri.
Tate received his BM from Wichita State University, organ studies with Lynne Davis and Robert Town and piano with Andrew Trechak, and MM degree from Yale, studies with Thomas Murray and Jeffery Brillhart. Further graduate study in piano was with Robert Weirich at the University of Missouri- Kansas City. He is currently pursuing an Artist’s Diploma at Oberlin with James David Christie. Currently, he serves as organist at First Baptist Church in Asheville, North Carolina. Tate and his wife Laura live in the Asheville area.
Gail Ann Schroeder
Gail Ann Schroeder, viola da gamba, graduated from the University of Michigan with a Bachelor of Music degree in Music History. She furthered her performance studies on the viola da gamba at the Royal Music Conservatory of Brussels, Belgium, with Wieland Kuijken, where she obtained the First Prize and the Higher Diploma, with distinction. She has performed extensively as soloist and with various ensembles including the Huelgas Ensemble, Capilla Flamenca, Combattimento Consort Amsterdam and the Leipzig Barockorchester. She has participated in numerous radio and television productions, and on CD recordings for such labels as DHM, Sony Classical, Ricercar and Erato. From 1988-2002 she was assistant to Wieland Kuijken at the Royal Conservatory of Brussels where she taught viola da gamba, didactics of viola da gamba and was director of the viol consort. Since returning to the USA in 2006, Ms. Schroeder has been teaching at numerous workshops for the Viola da Gamba Society of America, the Amherst Early Music Festival and Mountain Collegium. Currently living in Asheville, she teaches privately and free-lances on viola da gamba and lirone.
Harpist Jacquelyn Bartlett began her musical studies at an early age with her mother, Mary Bartlett, noted harpist and teacher and continued with world-renowned harpists, Carlos Salzedo, Alice Chalifoux, Lucy Lewis, Lucille Lawrence, and Susann McDonald. She graduated with honors from Interlochen Arts Academy and attended Oberlin Conservatory of Music. Jacquelyn has performed with many of the world’s leading orchestras including the Detroit Symphony, New York Philharmonic, Indianapolis Symphony, Rotterdam Philharmonic, Baltimore Symphony and North Carolina Symphony and has toured the US and Europe as a soloist and chamber musician. Currently Ms. Bartlett a member of Fire Pink Trio and teaches on the Artist Faculty of UNC-School of the Arts. A dedicated and passionate educator, Ms. Bartlett is much sought after as a teacher, chamber music coach and presenter for master classes and seminars.
Dosia McKay holds M.M. in Scoring for Film and Multimedia from New York University and B.M. in Music Theory and Composition from University of Tennessee. Dosia McKay resides in Asheville, NC. When she takes a break from music composition, she shifts her focus to painting, writing poetry and short stories, and playing the flute or cello. www.dosiamckay.com
Elizabeth Austin is a founding member of Pan Harmonia, formerly Keowee Chamber Music, and serves as project coordinator for the organization. Originally from Indiana, she holds degrees in cello performance from DePauw University and the University of Cincinnati’s College-Conservatory of Music. She has played with the Roanoke Symphony and Wintergreen Festival Orchestras in Virginia. Internationally, she performed with the Francesca Trio in Spoleto, Italy. Elizabeth taught cello at Clemson University for 8 years. She has performed at national conferences in Washington DC and Salt Lake City. A resident of Albuquerque, NM, Ms. Austin is currently a lecturer at Central New Mexico Community College. She plays chamber music in Albuquerque and recently performed with members of the New Mexico Symphony Orchestra at UNM’s Keller Hall.
Byron Hedgepeth enjoys performing on a wide array of percussion instruments, embracing classical, jazz, contemporary, and world music. His passion for drumming began while studying piano and violin as a child. After completing a Bachelor of Music at Mars Hill College, Byron continued his studies with music educator Charles Leonhard and percussionist Tom Siwe at the University of Illinois, where he earned a Master’s Degree.
Byron pursues a full career as performer, composer, and educator. He was the founder and director of Percussion Studies at UNC-A for 24 years. He currently teaches percussion at Appalachian State University and is the new director of the Steely Pan Steel Band. Improvisation has always been a passion, reflected in his compositions and collaborative ensembles. Notable groups include InsideOut, Con Clave, Jack Coker Trio, and Byron Hedgepeth & Mike Holstein. He also performs several times a year as a timpanist and percussionist with the Charlotte and NC Symphonies. Byron has been active as a timpanist/percussionist with Asheville’s All Souls Cathedral since his first performance of Amahl and the Night Visitors in 1975.
Frederick Lemmons, clarinetist, has lived in Asheville since 2009 after serving 21 years with “The President’s Own”, United States Marine Band in Washington, DC. He performed at the White House for five US Presidents and traveled the United States and Europe in hundreds of concert performances with the band. His education includes a BS in Music Education from the University of Tennessee-Chattanooga (his hometown) and a Masters in Clarinet Performance from Louisiana State University where he also did Doctoral studies. He is presently the clarinet professor at Mars Hill University. He also performs with the Asheville Lyric Opera, Brevard Philharmonic and the Hendersonville Symphony.